Category Archives: Williston Academy

The Poet and the Dribble Glass

by Lewis W. Miller

Though not a Williston alumnus, arguably Lewis Miller (1919-2008) headed a Williston Northampton dynasty.  He and his bride, Jean Douglas Miller ’36 (1918-2005), sent five children to Northampton School for Girls or Williston Academy.  Two generations of descendants have attended since.  Jean’s brother Richard Douglas ’41 (1923-2007) was the unwilling hero of the following memoir.

Playwright, actor, and journalist, Lew Miller knew how to tell a story.  He penned this one for his children and grandchildren in 1992.  Recently Elizabeth Miller Grasty ’66 shared it with David Werner of the Williston Office of Advancement, who passed it on to the Archives.  It is reproduced here, with some editing, with the kind permission of Ms. Grasty. — RLT

The Poet and the Dribble Glass
by Lewis W. Miller

Robert Frost (Larry Palumbo/Library of Congress)

As Robert Frost approached Easthampton, Massachusetts, one evening in 1938, he would not have been in the mood for jokes.  Certainly he was not expecting to be the butt of a practical joke.  Elinor White Frost, his wife of 43 years, had died suddenly only two months before.  Further, he had decided to resign his long held position at Amherst College.  Frost, at age 64, had entered a bleak period of his life which seemed to him without hope.

His reason for visiting Easthampton, that Tuesday, May 27, was to fulfill a long-standing commitment to an old friend, Archibald Galbraith, Headmaster of Williston Academy.  Each spring for many years, Frost had given – at Galbraith’s invitiation – a reading of his poems for the students.

The student who was destined to confront this world-famous Pulitzer Prize winner was Richard Knowles Douglas.  He was a diffident 15 year old unlikely to indulge in practical jokes – especially on an adult.  Richard (nicknamed “Red” at school) had a busy life ahead: Amherst College, Albany Medical School, U.S. Navy M.D. with the Marine Corps, followed by a long, fruitful, still-continuing career in the practice of surgery in his home town of Westfield, Mass.

1938 was the year in which Adolf Hitler forcibly annexed Austria.  Franklin Delano Roosevelt was in his second term as President of the United States with “Cactus Jack” Garner of Texas as his Vice President.  Charles Hurley, Democrat, was serving his only term as Governor of Massachusetts.  Williston Academy, in its 97th year, was planning to celebrate its centennial in 1941.  Red Douglas may possibly have forgotten such highlights of the year.  But he never quite forgot the trauma of the evening ahead.

Richard K. “Red” Douglas ’41 (The Log, 1941)

Dinner was served as usual in Payson Hall to students living in South and North Halls.  A master and eight students were waited on at round tables by “scholarship boys.”  Latin Master Lincoln DePew Grannis (“Granny”) usually said the grace before meals.  The food was described as “bullet-proof – everything but tasty.”  The Saturday night menu never varied: one boiled hot dog, one slice of Boston brown bread, baked beans, milk, and water.  Presumably the food served at Ford Hall, a new dormitory on the New Campus, was more appealing.  The cost of boarding there was higher.

Soon after dinner the hundred or so boys attending Frost’s reading gathered in the Dodge Room.  Most of them were seated on the floor of this handsomely paneled room in the New Gymnasium.  The poet referred to his readings at schools and universities as “Barding Around.”  Years later, when asked which poems were presented that evening, Douglas replied, “All of them – no explanation or discussion, he just read – seemed on an ego trip.”

When Frost had been reading for one and a half hours, a student broke wind.  This occasioned embarrassed laughter among his fellows, to which the poet responded, “Would you like me to go on?”  Hearing no answer, “Very well, I will continue.”  This he did, for another half hour!

Headmaster Archibald V. Galbraith (William Rittase)

At the close of the evening some two dozen especially invited boys joined Frost in the Headmaster’s House for refreshments.  Mr. Galbraith inquired of Frost his choice of beverage.  A glass of milk was requested.  “Gally,” as he was called by the students behind his back, turned to young Douglas nearby, asking him to bring a glass of milk for the famous guest.  In the kitchen a maid (“She never liked me,” recalled Douglas years later) poured the glass of milk, placed it on a tray, and handed it to Red, who served it to Robert Frost.  Frost took a drink and spilled milk down his tie and shirt.  “How clumsy of me,” he murmured, as he wiped the spill with his handkerchief.

A second drink resulted in an even greater spill.  Seeing this from across the room, Galbraith “came down like a locomotive” heading for the hapless Red.  “Was this done on purpose?” Galbraith demanded angrily.

“No, sir,” the student answered – fully expecting to be thrown out of school.  The Headmaster’s response was not complimentary.  Red returned the dribble glass to the kitchen.  There, the Headmaster filled a fresh glass while the shaken student attempted to exonerate himself.  “This is not my fault.  I have never even heard of a dribble glass!”

A vintage dribble glass (Private collection)

Red’s explanation may have been believed, but most likely he was allowed to remain in school because Archibald Galbraith held the boy’s father, Archibald Douglas, in high regard.  Robert Frost graciously accepted the apology required of Red, who was then permitted to depart for his dormitory room.

Holding no grudge, Robert Frost returned to Williston each spring for more “Barding Around,” at least until Red Douglas graduated in 1941.  The record does not state whether Red continued to attend the readings.

Skeptical?  Oddly, I’m not.  The story is, of course, really by Richard Douglas, merely transmitted by Lew Miller.  There is substantial detail, but at no point does the narrator make the extravagant claims of the sort alumni indulge in when they reminisce about “good old days” — that stuff, I tend to take at about 50% (unless I’m telling the story).  No one, more than 50 years after the event, claims or is given credit for the joke.  And who might it have been?  It would be easy to blame the maid, who actually produced the glass and poured the milk, except that it is unlikely she would have dared.  Can it be that Frost was never the intended victim, rather that someone had spirited the glass into Galbraith’s kitchen, hoping to catch the Head himself?

Frost’s visit was duly reported in The Willistonian of June 3.  There is no mention of anything untoward, but a rather nice irony in his chosen theme.

The Willistonian, June 3, 1938

The Jester (1967)

by Rick Teller '70, Williston Northampton Archivist

1967: Williston Academy’s Literary Society had, for many years, published an oh-so-serious magazine called The Scribe.  Imagine, then, the excitement when the Society announced that they would depart from venerable tradition and attempt a humor magazine.  The first, and only issue of The Jester appeared in the winter of 1967.  Almost immediately, certain elements in the administrative hierarchy objected to the cover on grounds of taste, until it was pointed out that the navel in question, which belonged to our champion diver, was on display in the pool every afternoon.

51 years later, this seems relatively innocuous.  Tasteless, yes, but hardly provocative.  But our plan to republish substantial excerpts here was somewhat modified when we realized that by 2018 standards, the magazine was so replete with trademark violations, potential libel suits, and what are now called “trigger warnings,” that we had to be very selective.  Plus: some of it was too insider-obscure to resonate today, or just wasn’t very funny.

The persons responsible, plus a couple of ringers.  As with all these images, you may click to enlarge.

But much of it was funny, or clever, and still is.  Perhaps against our better judgment, here are excerpts, beginning with a parody of that prep-school classic, The Catcher in the Rye.

Poetry.  After all, The Jester was published by a Literary Society. Continue reading

Albert Kiesling at Williston

by Rick Teller '70, Williston Northampton Archivist
Albert Kiesling next to the Easthampton Congregational Church, working on a view of Shop Row.
Albert Kiesling next to the Easthampton Congregational Church, working on a view of Shop Row. (Easthampton Historical Society) Please click images to enlarge.

Anyone familiar with Easthampton in the ’40s through the ’60s is likely to recall a taciturn gentleman with an easel and paintbox, often engaged in capturing a town landmark or rural scene.  Albert Kiesling (1885-1968) was born in Clinton, Mass., and moved to Easthampton to work in the textile mills.  He was a protégé and friend of the American expressionist painter Oscar F. Adler (1868-1932), another Clinton native.  In fact, Kiesling and Adler often painted the same scenes together.

In the summer of 2016, Easthampton CityArts+, in association with Albert Kiesling’s family, mounted an exhibition and sale of a large group of his paintings, at the Mill Arts Project (MAP) Gallery at Eastworks in Easthampton.  The following video, from Easthampton Media, is an excellent introduction to Kiesling’s work.  (Alumni from certain eras may recognize some of the people interviewed.)

https://vimeo.com/173671869

There are five known Kiesling paintings of Williston scenes.  One had been on campus since 1945.  Following the CityArts+ exhibit, Williston Northampton was able to obtain the other four, through a combination of alumni generosity and purchases.  They are:

The Old Gymnasium

The Old Gymnasium

The Old Williston Seminary Gym, with its distinctive tower, was built in 1864, the first free-standing athletic building in any American secondary school.  It stood on High Street, at the rear of the original Williston campus.  Rendered largely obsolete by the construction of the Recreation Center (now the Reed Campus Center) in 1930, it was razed following the school’s consolidation onto the present campus in 1951.  Kiesling painted the scene in 1952.  Williston Northampton was able to acquire the painting through the generosity of Patricia Zavorski Coon ’61.  This painting currently hangs in the office of the Director of Athletics.

Kiesling at work on the Gymnasium painting
Kiesling at work on the Gymnasium painting

The Button Mill

The Button Mill

The painting of the original Williston Button Mill, Easthampton’s first factory building, was commissioned in 1945 by Charles Johnson, class of 1875, Treasurer of Easthampton Savings Bank, and presented to the school by the Class of 1905, one of whose members, Guy Richard Carpenter, was instrumental in tracking down and preserving many of the documents and memorabilia that now comprise the Williston Northampton Archives.  The building, which still stands on Union Street, was erected in 1846-47.  One of the workers’ tenement houses beyond the mill also remains, now home to the Easthampton Diner.  Kiesling added a couple of historical touches to the background: the spire of the Payson (now Easthampton Congregational) Church and, in front of it, Williston’s original (1841) White Seminary building.  This painting hangs in the front parlor of the Head of School’s Residence.

The Old Campus

The Old Campus on Main Street.

This undated painting now hangs in the Advancement Conference Room in the Williston Homestead.  Purchased in 2016 via the Archives Fund, it shows the pre-1951 campus from the intersection of Main and Union Streets, from the vantage point of the Congregational Church’s front lawn.  The buildings, from right, are South, Middle, and North Halls.  All these structures were torn down after the move to the New Campus in 1951, but a portion of the distinctive iron fence remains in place.  Also visible are the Maher Fountain, which remains today, and the First Congregational Church, which succumbed to fire in 1929.

The Old Campus, from a vantage point a bit to the left of the painting.
The Old Campus, from a vantage point a bit to the left of the painting.

Payson Hall

Payson Hall, formerly Hill’s Mansion House

In the mid-19th century, Hill’s Mansion House was Easthampton’s grand hotel.  Even then, it housed Williston students able to pay the premium rates.  The huge wooden building stood at the top of the hill on the corner of Main and Northampton Streets.  In the early 20th century, when the hotel business had fallen off, the school bought the building and renamed it Payson Hall.  It was used as a dormitory, dining commons, and for many years, the home of the Williston Junior School.  From the early 1950s on the structure, in increasingly fragile condition, hosted inexpensive apartments.  It burned in the early 1970s.  Kiesling’s 1963 painting, part of the 2016 purchase, is now in the office of the Director of Alumni Engagement.

The Mansion House in the late 19th century
The Mansion House in the late 19th century

The Williston Birthplace

The Williston Birthplace
The Williston Birthplace

Here the subject is the Payson Williston parsonage, also known as “The Birthplace,” on Park Street, opposite the Homestead.  Dated 1968, thus one of Kiesling’s last paintings, this seems less successful than the others – something in the perspective is not quite right. The artist has set the building well back from the road and included a nonexistent mountain.  Also part of the 2016 purchase, this painting presently hangs in the Williston Birthplace, now a faculty residence.

The Williston Birthplace, ca. 1880.
The Williston Birthplace, ca. 1880. Note the kid on the tricycle!

Finally, if you watched the video, you’ll recall that Kiesling was also an enthusiastic creator of snow sculpture, often of epic proportions.  On Saturday, February 10, as part of the 5th Annual Easthampton Winterfest, the Nashawannuck Pond Steering Committee will host the First Annual Albert Kiesling Snow Art Competition. Please click the link for details!

Twelve Days

by Rick Teller '70, Williston Northampton Archivist

(Note: this article was originally posted on December 23.  In the ensuing five days, new information came to light, notably (see the comments at bottom) concerning the year “Christmas Soup” was introduced at Williston, resulting in this revision, posted December 28, 2017. — RT)

A couple of years back a comic arrangement of “The Twelve Days of Christmas,” performed by a certain a cappella ensemble from Indiana University, had a sudden surge of popularity.  Apparently unbeknownst to them — despite the presence of the author’s signature on the last page of the score — the “Twelve Days of Christmas” parody was sung by the Williston Academy Caterwaulers of 1967-68.  It was composed by their director, longtime (1961-2004) Williston fine arts teacher Richard Gregory.  Dick founded the Caterwaulers in 1965, as an evolution from the former Double Quartet, long attached to the Glee Club.  The name is a play on the school’s “Wildcat” mascot, and a line from the English version of a once-popular Haydn vocal catch, “You caterwauling rogues, be gone.”

The Caterwaulers of 1967-68, the first civilians to sing “Christmas Soup.”

“Christmas Soup” (the real title of Dick’s arrangement) stayed in the Caterwaulers’ repertoire for nearly three decades.  Dozens of former Caterwaulers went on to college singing groups.  Many took copies of Caterwauler arrangements with them, well within the collegiate a cappella tradition that also brought arrangements by the Baker’s Dozen and Whiffenpoofs — Dick’s groups at Yale in the early 1950s — into the Caterwaulers’ repertoire.  “Christmas Soup” was actually performed and even recorded, with proper attribution, on multiple occasions around the country before Straight, No Chaser picked it up.  And to their credit, they now perform it (I am told) with appropriate acknowledgment of the author.

But, Dick Gregory points out, “Christmas Soup” didn’t originate with the Caterwaulers.  From 1957-1960, Dick was a lieutenant in the United States Navy.  For most of that time, he was stationed on Guam, where he created “Christmas Soup” for a group of his fellow officers.  Since they were members of a communications unit, they called themselves the “Seven Nicators.”  They stuck with that until three of their members were rotated out, and the remainder deemed the name inappropriate for a quartet.  Dick made some minor revisions for the Caterwaulers, but only the ending was new.

Dick Gregory, concluding his last Williston class in 2004.  He is retired and living in Easthampton.

Straight, No Chaser’s performance breaks off abruptly and segues into “Christmas in Africa.”  I once found this baffling, until I came across a recording by a group from Ball State University, also in Indiana, that shifts gears in exactly the same place.  Suddenly, all was clear: the copy of the music that was being passed around between Bloomington and Muncie was missing the final page.  And that’s why no one there knew that Dick had written it, or when.

At a Williston Alumni Reunion in June, 2009, a large gathering of former Caterwaulers got together to rehearse and perform “Christmas Soup” and a number of other favorites.  If the following video lacks the polish of more professional renderings (and I can’t help noting that it sounds pretty good for a bunch of underrehearsed old guys), it has the distinction, not to mention authenticity, of including several of the singers who originated it, and Dick Gregory himself directing.  You can’t get more authentic than that!

For the record, “Christmas Soup,” a.k.a. The Twelve Days of Christmas,” with the ending as sung in the preceding video, is copyright ©1967, Richard C. Gregory.

On behalf of all of us at Williston Northampton, happy holidays!