Category Archives: Writing

Grocery Story by Olivia Smith

Grocery Story by Olivia Smith

I have always been very accomplished at dropping the groceries. Really, ever since I was a little kid one of my greatest accomplishments has been trekking up the apartment steps with two stretched-out white grocery bags in each hand, and dropping them. It’s always oranges, I swear to God. Suddenly there are oranges and grapes and jars of peanut butter bouncing down our small staircase, rolling all the way to the bottom to meet my mother’s feet as she starts to heave her bags up. She rolls her eyes at me every time.

“Pick it up!” she says in an exhausted voice.

I’m not even that clumsy in other parts of my life. I play three sports, pretty well actually, and I don’t trip a lot. Ninety-nine percent of the time I am a picture of grace. Until of course it comes time to lug the grocery bags up stairs, then I am a mess, scuttling around the apartment to pick up apples that have rolled into our neighbors’ shoes. We even bought those cloth bags once. My mother thought if I couldn’t break the grocery bags I wouldn’t lose control of the groceries. It was a good effort, but generally ineffective. I think we always thought I would grow out of it, the way I grew out of picking my nose and crying every time Clifford The Big Red Dog came on TV because I was afraid of him. I grew out of refusing to eat vegetables and I grew out of hating to read. I grew out of always putting my shoes on the wrong feet because I thought it was funny and I grew out of covering my eyes in stickers and pretending to be blind. I did not, however, grow out of dropping the groceries.

I guess that I’ve held on to some other things too. I have not, for example, grown out of kicking walls when I’m angry. I still occasionally jam my toes and break my fingers from smashing them into a wall, or a tree, or, more recently, people.

I always feel like if I could just hold onto the grocery bags for one walk up the stairs, if I could climb three flights without tripping on someone’s shoes, or stubbing my toe, or getting distracted and just accidently letting go of the bags, if I could control the grocery bags, maybe I could control my anger.

The therapist the school makes me see since I punched that kid in the cafeteria says that it’s a dumb theory. He says that I have control over my body and myself and that I’m choosing to hurt people. I tell the therapist for the thousandth time that the kids in the cafeteria were making fun of this girl, and she was about to start crying, and one time in third grade this girl gave me a valentine with a Hershey kiss attached to it, and I didn’t care if she made valentines for the whole class, she made me a valentine and that was damn nice and I could not let these losers in the cafeteria make her cry. He tells me that I could have gotten an adult, I could have done a lot of things, but I didn’t.

The therapist is always asking me to pinpoint the anger. What was my breaking point? What made me go crazy, he seems to be asking.

“Can you tell me about your parents?” he asks, and I smile a little. The school must have told him.

“My father left when I was six.” He nods, but is not surprised.

“And are you angry at your father for leaving you?”

The funny thing is that I don’t remember him leaving; I don’t remember coming home and realizing his stuff was gone or anything like that. He and my mother were in the middle of a divorce anyways and they were always fighting, so him disappearing for a day or two was normal. I think about a week in I realized he wasn’t coming back. I never asked my mom about it. I just knew. Turns out he went to the nearest airport and bought the cheapest plane ticket and ended up in Cleveland, Ohio.

After three months he called and I answered the phone. I remember I was learning manners, so I answered in a very official voice. “Hello this is the Holland residence, Tommy speaking, how may I help you?”  He laughed, said he missed me and loved me but things were very difficult right now, then he asked to talk to my mom.  Difficult is a slimy word.

Another three months passed and I got a package from him filled with five jars of peanut butter; local grown organic insolent peanut butter that he bought at his new favorite fair trade coffee shop.

“I’m mad at him for sending me peanut butter,” I say to the therapist. “I’m mad at him for being the kind of person who likes expensive organic peanut butter.”

“Are you angry with him for leaving you?”  He presses.

I want to tell him that it’s an absurd question; that my father didn’t leave me.  He left a five-year-old who loved trains and Shel Silverstein, and drew a lot of questionable cartoons of talking purple frogs. I was angry with him for being the kind of person that could leave a five-year-old, sure, but I wasn’t angry that he left me, because he didn’t.

“I’m angry that he sent me peanut butter,” I say again, stuck on that one point.  I always get stuck there. I remember the day the package came; it was the first rainy day of the summer, cooling down a month of intense humidity, and the cardboard box was damp. Our air conditioning unit was broken so before I went home I spent a lot of time on the sidewalk jumping in puddles to cool down. My mother was visiting my grandmother in the hospital and had left me a home alone with instructions to eat some pretzels, drink some grape juice, and watch the dinosaur movie.  His fancy new Cleveland address was written on the corner in runny black pen. There was a note, but I didn’t read it, I just looked at the peanut butter. When I was little I pretty much only ate peanut butter and banana sandwiches, breakfast lunch and dinner, so in theory, in this abstract and removed way my dad thought it was a nice gift. I opened one and tried it. It tasted like peanut butter. I walked out of the apartment and gave it to some homeless man on our block that was always playing a 5-gallon bucket on the street for spare change.

“If it’s not your dad, what are you angry at?” the therapist asks for the thousandth time. I don’t know, my head screams, and I feel my fingers clenching.

I can’t even imagine doing the things people tell me I do, that’s the thing. I saw the kid in I beat up in the cafeteria a week later. His eye was still all black and his nose was covered in tape. He glared at me in the hallway, but he was scared too.  I leaned in to apologize to him, and he leaned away, his green eyes huge and frightened. I’m sorry! I thought, feeling a desperate pit growing in my stomach. I spent the next class period sitting in my car doing the breathing exercises the therapist taught me. It wasn’t anger though; it was emptiness. I was a deflated balloon desperately doing breathing exercises with its last puffs of air.

They all promise me that if I think about it long enough I will figure it out. They promise me I’m not some kind of monster roaming around waiting to explode at people. Find the breaking point. Locate toxins, the triggers, and remove them. That’s what everyone says, and they look at me with these large sympathetic eyes. They tell me I’m angry, not violent. I should probably get that printed on a t-shirt. One of those obnoxious screen printed T-shirts you can buy at mall the with neon letters, “Angry, not violent.”

“Okay lets try something else.” He sighs, giving up a little bit. “Close your eyes and picture yourself in a doorway.” His voice has taken on this meditative quality. “When you open the door you see the places and the people and the things that…cause emotion.He side steps using the word anger this time, “What do you see?”

I see myself standing in the hallway of my apartment, surrounded by uninviting hay welcome mats and cold cement walls. I have a good view of the stairs from where I stand, at the right angle I can see all the way down to the bottom floor. There is a ripped grocery bag hanging from the railing and squished oranges at the bottom, bruised and leaking juice. I blink, shake my head, and try again. But I’m still there, staring at spilled groceries at the bottom of the stairs.

Yearning by Anonymous

Yearning by Anonymous

I want to paint the blank canvas of your mind
And form gold skies
And unimaginable realities.
I want to crawl into your nightmares
And turn them into your fantasies.

I wonder if I am in your dreams.

I want to know what you think of me
Moments before you fall  asleep.
I wonder if it’s the same way I think of you
Before I let my mind fall into the deep.

stressed student by Umi Keezing

By Umi Keezing

as papers fall around me enveloping me

in calculus problems and physics tests and grades

I bat them away with a pencil but they only withdraw

when the graphite forms the words or numbers that solve the puzzles

which I attempt to address in the vain hope

of completing my homework in time for a brief reprieve

before the next onslaught of assignments threatens to engulf me

because I immerse myself in academics the view through my window becomes

abstract art the tree house in my backyard a fairytale

from my childhood while the story in my English binder

becomes increasingly real the letters sharpening as the autumn leaves outside

blur with my deteriorating vision whether or not

I study obscure concepts to gain insight into reality I end up

distancing myself from the scent of my backyard the hubbub of Northampton

and the embraces of my long-lost friends who also

abandon the world to better analyze its mechanisms

to be accepted to college where the workload piles higher

and higher as offices replace dormitories the ceaseless cycle of studying

synchronizes with the sleep cycle more than the revolutions of Earth

dizzying me though I barely feel the lightheadedness due to

my perpetual headache that only abates when I have time

to pause on the sidewalk a breeze caressing my face and remember

that tangibility exists outside of hands-on chemistry experiments

and poignant poetry for an instant I recall the existence of a third dimension

and search for escape routes from the two that imprison me

before realizing that no such route exists without exertion

that is not merely mental and is therefore beyond my brain-dominated

self so I avert my nearsighted eyes from the treetops and fix them

on my desktop of artificial wood and sharpen my pencil

Desire by Anonymous

By Anonymous

O so wanting,
O so wanting.
Of that which I’ve never had.

Those things possessed by the ones I admire.
That in acquiring,
I might regard myself with equal praise.

If only that were me,
If only that were me.
But alas it is not me.

And O how the heart aches,
Deprived of that which it never had.
And I can only wonder.

My only wonder,
Is how the heart can so survive,
Being so terribly jealous of those it loves.

When the silent scream of saints speak,
Speak that love and envy far from correspond.
No barren battering of war could exceed the conflict of conscience.

If only that were me,
But alas it is not me.
But it can be.

O so wanting.
Of that which I’ve never had.
But despite depression,
That does not mean I never will.

The No-Brainer by Umi Keezing

By Umi Keezing

            I stare blankly at the white room. White walls, white sheets. The surgeon in the white uniform sits beside my bed, watching me with an expression of—of what? I’m blanking out.

______“Are you awake?” says the surgeon.

______I’m too tired to think about hard questions. I also feel kind of sick. “I don’t know,” I say.

______“Are you pleased not to know?” says the surgeon. His voice sounds like it’s far away.

______“What?” I say.

______“Never mind.” The surgeon sighs. “Looks like the operation was a success, at any rate.”

______I sit up. It makes my head hurt, so I lie down again. There’s a piece of paper with black writing on my pillow. “What’s that?” I say.

______“A letter you wrote to yourself,” says the surgeon.

______I look at the black writing. It makes my head hurt even more. Still, I feel like it’s—how do I say it? Oh yeah, like it’s important. I kind of remember writing it, but not what it says.

______I start to read it. It says “M-Y, space, D-E-A-R.”

______“What does ‘dare’ mean?” I say.

______The surgeon’s eyes make a funny circle. He picks up the paper and says, “Let me just read it aloud to you.”

______“Okay,” I say. The white light makes my head hurt a lot. I put my pillow on my face. That feels better.

______“‘My dear post-surgical self,’” the surgeon reads. “‘How have you fared during your convalescence?’”

______“What does ‘convalescence’ mean?” I say under my pillow.

______“Save your questions for later,” says the surgeon. He reads, “‘Congratulations on your acquisition of dimwittedness. The removal of your superfluous neurons will serve you well.

______“‘Paradoxically, your simplicity of thought will ameliorate your ability to express yourself. Due to their lack of intricacy, your emotions will require little effort to articulate. They will range from grief to joy, bypassing solipsism, and nihilism, and other tiresome “ism”s. You will discuss them with others, who will…’”

______I open my eyes. The surgeon is looking at me. He doesn’t look happy.

______“What?” I say.

______“As draining as the surgery may have been,” says the surgeon, “I thought you’d have the decency to stay awake while I’m doing you a favor.”

______I look at the paper in his hand. “Oh yeah,” I say. “What does it say next?”

______The surgeon reads, “Due to their lack of intricacy, your emotions will require little effort to articulate. They will range from grief to joy, bypassing solipsism, and nihilism, and other tiresome “ism”s. You will discuss them with others, who will understand you.

______“‘You will derive genuine pleasure from your everyday activities. Your classes will stimulate your brain enough to hold your interest, motivating you to complete homework assignments and secure a successful future for yourself. Your trips to the mall with your friends will be intellectually bearable, even the hours of comparing nearly identical shades of nail polish. At the school cafeteria, you will never hear the voices around you fade to meaningless babble as you tire of their predictability. Neither friends nor family will accuse you of indifference when you decline to pose questions whose answers you already know.

______“‘You will never flee to a mountain, the valleys too crowded to accommodate your surplus of thoughts. You will never inch closer to the edge of a cliff, gazing longingly at the abyss beneath you, until you catch sight of a hospital building and recall a newly legalized brain surgery. Most importantly, you will never probe too deeply into the contents of this letter. You will no longer concern yourself with introspection, which will automatically erase your internal strife.

______“‘Please do not blame me for your mental debilitation. Between you and your brain, I chose to kill your brain. Sincerely, your pre-surgical self.’

______“And that’s that,” says the surgeon. “You’ll never be able to reply to her, since she doesn’t exist anymore. I hate that I played a role in her self-destruction.”

______“That’s sad,” I say. “Did she die?” I don’t really care, since she sounded kind of full of herself. Nothing she said made any sense. She did say something about nail polish and the mall, though. I want to go to the mall.

Kiss the King by Charles McCullagh

Kiss the King
By Charles McCullagh

In the corner, so many years.
Eyes so tired, he could foresee.
The light came soon, shock of the call.
Stand together, ashes to sea.

How do you know, when it will be,
The last time to talk, to hear him sing?
It hurts so much, but unaware,
Embrace the past and kiss the King.

The images soar, the booming laugh.
Generous heart, his cross to bear.
Tempers had flared, mellowed by time.
Calls of love, willing to share.

How do you know, when it will be,
The last time to talk, to hear him sing?
It hurts so much, but unaware,
Embrace the past and kiss the King.

A modest start, receive the gifts.
Pursue the risks, achieve the ring.
Some reckless turns, but in the end,
A settled soul, so much to bring.

How do you know, when it will be,
The last time to talk, to hear him sing?
It hurts so much, but unaware,
Embrace the past and kiss the King.

Little ones come, the glow of pride.
The joy is true, stories will be.
Walk on the beach, blanket of snow,
Stand together, ashes to sea.

How do you know, when it will be,
The last time to talk, to hear him sing?
It hurts so much, but unaware,
Embrace the past and kiss the King.

Down the Rabbit Hole by Anonymous

Down the Rabbit Hole
By Anonymous

She was floating;
Floating far away.
Every now and then she would wake,
A nearby noise disturbing her.
Her eyes flutter open,
Seeing their faces for only a second,
Her eyes would flutter close.
No noise or shake could wake her.
She was somewhere else;
Alice called it wonderland,
She called it peace.
And as she took her last breath she whispered,
“I’m finally free.”

 

Salt Peels Beneath My Footsteps By Nick Pattison

Salt Peels Beneath My Footsteps
By Nick Pattison

Most people think of others as adjectives and pictures and faces and bodies, but I think of people as cheeses. Yes, cheeses, like Fontina and Asiago and Parmesan and American and Cheddar.

I enjoy, during my free time, sitting by the steam of a large green tea on the porch of a coffee shop in downtown, looking across the street and watching the cheeses melt, slice, and cube in front of me and my tasteful tea.

My first peculiar cheese today was a man, dressed finely in khakis and a blue blazer, strutting heels-first by the soles of his “shined-so-I-can-see-my-own-reflection” penny-loafers. He’s so Mozzarella. I can imagine him sitting down tonight, with a fine glass of imported French wine, sipping it with utmost care, while reading the Opinion section of “The Republican.” He’s like the kind of mozzarella that is fancy and fresh, bubbling milky juice when you unfold the surrounding BPA-free plastic wrapping to reveal the fresh, soft, cloudy, expensive, classy wonder inside. Maybe even drizzled with balsamic vinegar and garnished with a slice of tomato and a leaf of fresh basil, yes, that’s you, Mozzarella Man.

Behind him, in line for a smoothie, is a girl with short, spiked hair, a few tattoos, too many bracelets and a bag that looks like hungry children in Africa once stored rice inside the beaten leather flaps. Her black leather jacket makes her look like a Pepper Jack. A spicy, flarey cheese, like seeing the Fourth of July fireworks in a boat going sixty miles an hour straight towards Turtle Island rock. Like the bird that jumped out of its nest a little too soon before it was strong enough to fly, and no mama bird was able to catch it and bring it back up to the safety of the nest. It was left to live on the ground, vulnerable and young, to find her way among the foxes, rabbits and hawks. Maybe that’s why her bandanna looks like clown vomit on cotton. But even though her clown vomit shows her rough beginnings, she still has some spunk and liveliness to offer to this little coffee shop. Thank you, Pepper Jack Girl.

Next is another girl, maybe nineteen, with dark black mascara and deep red lipstick, making her mouth look bloody and eyes beaten and bruised. I am ashamed to even have looked at her as she walked in with her low-cut tight tanktop with a few inches of midriff that led to shorts that were pulled far enough down I could see the top of her ass, but still shorter than my boxers. American Cheese. The whore cheese, too many cheeses combined, too overly processed. It’s the cheese for greasy hamburgers and oily French fries: cheap and gross and impure. An invalid cheese, an invalid human. A void disaster. Like a spinning wheel into dark madness, even the ocean stood up and walked out on her, and now she’s left slaving her body for pay.

A man, your classic disheveled middle-aged man with graying hair and bunny-ear pockets turned inside out in a rush to get his coffee this morning. Parmesan? That’s him, with his staple-cotton garments showing his personality like cheap and shaky wood shavings in a bottle. Too gross, too factory made, like a bunch of fine-pressed cows, or the smell of an industrial linen factory. Even the real Parmesan is too weak, too little, too much of a topping, can’t make a real hearty meal by itself. Can’t hold its ground for what it is. Mr. Parmesan, grow a little more gray hair, then you’ll be the main-course cheese.

After seeing all these cheeses, I wonder what I really am, like what cheese other people think I am, or even looking into a mirror and seeing my own cheesiness.

I look up to the coffee bean studded ceiling and fill my lungs with the smoothie-machine air, seeped by the quiet cringle of my tea like water between tennis balls. My legs kick the floor, pushing my hips up and away from the chair, through the swinging doors and into the grass.

Lying in the sun is like hearing the voluptuous soprano of a woman’s voice in an opera. It’s the tree above you, take a deep breath in, and dissolve into pieces of diced cheese on the grass. I squirm between the blankets of air and earth, a snake across water, a spider behind the wooden panel. The pine tree waits, static from the amplifier sizzles, frying my mind, pink slime to scrambled eggs.

But, after some thought, wrapped in the bark of a tree, caught in the green circle innards, the salt of the ocean peels beneath my footsteps. I take up the crusty salt flake and peer through its crusty-white window.

Cheddar. That’s me back there, real Upstate New York-made Cheddar, straight from the farmer in the market. Extra sharp, the flannel shirt says. Eat me and pucker your lips a little, make a clip-clap noise with your cheeks, like a farmer slapping the ass of his cow, yelling at it to speed up. Cheddar opens your eyes a little and makes you want a little more. Cheddar’s natural, light, airy, down-home twang needs no combing in the morning. Cheddar can stand alone on a plate, but can accompany a cracker, a sandwich, a pizza, or a quiche, with no extra processing. Cheddar keeps well, is hardy, is pleasing in any form, and is balanced.

A block of cheddar left out in the sun, left to melt, to break off into thousands of pieces, lie unassembled in the sun, happy, content, until a server—dressed in a white shirt and black vest, black slacks, black bow tie—steers your way, with a silver plate and stabs toothpicks into you, puts you on a plate to be thrown into the lavish tusks on the gutters of the sea.

 

The Museum by Oliver Demers

The Museum
By Oliver Demers

With a careful eye and a steady soul, I determined what beauty I saw: faded or alive.

My first dance in fifth grade was in the old Putney town hall, a decrepit and dusty building where town meetings and art auctions used to be held thirty years prior. Being that the town had no further use for it, it was now reduced to a site of tween hormones gone rampant.

My first steps into the building were accompanied by the rude squeaks of floorboards that should have been replaced years ago. Their rickety cries for mercy unsettled me with a frigid shiver down my spine.

I peered into the glowing haze of disco lights and sweat vapor. Throughout the room, I saw an array of kids huddling in different social clusters to stay cool (meanwhile in Antarctica, penguins huddled together for warmth and the survival of their species). Everyone was dressed up in clothes that almost made them look older: basketball shorts that hid the knees, button down shirts that had never been worn before, and bras that held little to nothing. It was a race to age.

The chaperones were here too and looked straight through me as I entered the building. They were a woman and a man, parents I presumed. He had his arm wrapped around her frail body in a stagnant pose as if mimicking American Gothic, but with forced smiles. Their smiles said “welcome” but their eyes said “stay away from my child, you hormonal little animal.” It wasn’t the warmest greeting I had received but I was sure they were having a far worse time than me.

The inner walls of the building were shedding their paint like a grandfather’s painting sitting in the attic. It was peeling either from their old age or from sheer fright at the dance “etiquette” they had seen over the years. I reached my finger out to touch the wall’s dried skin. It crumbled on contact and fell to the ground, slipping down the cracks beneath the floorboards. Its delicacy was like that of a dandelion’s seeds getting blown into the wind.

Make a wish.

I wish I could hear myself think again.

The music was turned up to a blood rippling volume: so loud that you had to scream to simply talk to someone five inches from you. I saw two people trying to have a conversation in this cacophony of sound and while I couldn’t hear a word each other said, it might as well have gone something like this:

“HEEEYYY!!”
“HEY, WHATSUP???”
“YOU WANNA DANCE???”
“NO I’M FROM AMERICA, I DON’T EVEN LIKE CROISSANTS!!”
“YEAH ME NEITHER, MY AUNT SHOULD GET A NOOSE!!”

The icing on the cake of this dialogue was the brief moment of quiet between each song, creating a foreign, surprising silence to its listeners. It was music to my deafened ears.

“YOU LIKE OLIVE JUICE???”

*the music sharply cuts*

“WELL I LOVE YOU T-…”

Stares and whispers filled the silence until the music came back on, relieving them from their exposed youth. It was hard to be twelve, but even harder when you wanted to be something much different, older, less of you and more of someone else.

The music’s lyrics varied from a listing of incoherent reasons as to “Why I’m hot” to describing a man’s travails of owning a candy shop and generously letting his girlfriend lick his lollipop, free of charge! Not exactly The Beatles but it got your foot tapping.

There was a sizeable girl in the back of the room with all sorts of different people crowding around her. I went over to check out the scene and was abruptly greeted by the very girl herself. She reached out to grab my hand. Perhaps she wanted to dance? She pried open my clasped fingers and slid a sharpie in my palm.

“Hey, do you wanna sign my boobs?”

My eyes went straight to her plentiful breasts in curiosity of her suggestion. What I saw was either a miracle of community participation, or a travesty of parenting. A mural of names, numbers, and even some creatively placed pictures had been drawn all over her bosom. I was reading all of them intently before she got my attention back.

“Hey!”
“Hmm?”
“You gonna sign ‘em or not?”
“Oh, no thank you!” It didn’t look like there was any room left on her canvas any way.

I walked away from the writing circle, along the back wall, to head to the bathrooms. On my way over I passed my old colleague Danny, leaning on the window sill, with something smoking hanging from his lip. In fifth grade, Danny had been kicked out of my school for bringing bullets into class, not a gun, but bullets. I heard he threatened a teacher with them and lost his temper in the process. But what would he have done, flicked the bullets at them? I was too scared to talk to him nonetheless.

His scent crawled its way up my nostrils as I walked by. It reeked of skunk and shame and it was clearly not a cigarette in his mouth.

I scanned the exhibit of tweens one final time before withdrawing to the bathroom. “Cotton-eye Joe” began to play nearly every person jumped on the dance floor and did the dance they knew, each with his or her own added flairs and personalities. The floorboards bent at their stomps and bounced them back into the air. They were making their own trampoline; having their own fun. They didn’t care about growing up when they were dancing. It was a synchronicity of blissful naiveté. A masterpiece.

A Hormonalisa.

After shaking twice and washing my hands my gaze rose up to meet itself in the mirror. I looked intently and critically at my face, sliding my fingertips across its tiny pores and aptly placed dimples. I sighed a relief.
Then I did something dangerous.

I reached my finger out to the mirror. I wanted to feel what the mirror felt. It didn’t have a name, or a single face. It was all encompassing, and never original in what it displayed. The faceless surface of all faces. But then my finger abruptly stopped for I remembered:

Don’t touch the art or the colors will fade.

Knock knock by Henry Lombino

Knock knock
By Henry Lombino

Will? You in there?

You can come in dad.

How are you doing Will?

Alright dad. I’m doing my math homework. Did you go to the vet? How’s Toby?

Not too good I’m afraid. He may

I hope he gets better soon. I miss him.

I know you do.

Do you miss him?

Very much.

He’ll be back here soon though right dad? He will won’t he?

Well, I’m afraid

Its going to be his birthday soon! It sucks to miss your birthday. Did you remember his birthday?

No. I forgot. When is his birthday?

How could you forget? It’s in three days! We’ll have to throw him a big party. And if he doesn’t get better by then, we’ll have to throw it when he gets back.

Well, I’m not sure if that will happen son.

Why? Did you forgot to get him something? That’s alright! You still have three days.

But you see

We can get him a nice rawhide. The beef ones. You know the ones I’m talking about?

Yes, I do.

He loves those. He devours them every time. Do you remember the first time we got him one? At Christmas? He was so happy, he spent the whole time working on that thing. Didn’t even flinch when we brought the camera out.

I remember that.

And then he spent the rest of Christmas sniffing at our hands, waiting for another one? Oh it was so cute, him just wagging is tail at us looking at us expectantly, jumping every time we moved to take a piece of candy out of our own stockings.

He was adorable.

He’s such a good dog. So great. I’m so glad we got him.

Me too.

You alright dad?

Will, I’m sorry.

He’s gone.