{"id":1183,"date":"2015-04-05T20:15:02","date_gmt":"2015-04-06T01:15:02","guid":{"rendered":"http:\/\/willistonblogs.com\/artsspotlight\/?p=1183"},"modified":"2015-04-13T13:36:30","modified_gmt":"2015-04-13T18:36:30","slug":"as-you-like-it-shakespeares-politics","status":"publish","type":"post","link":"https:\/\/willistonblogs.com\/artsspotlight\/2015\/04\/05\/as-you-like-it-shakespeares-politics\/","title":{"rendered":"As You Like It: Shakespeare&#8217;s Politics"},"content":{"rendered":"<p>Like all good comedies, <em>As You Like It<\/em> addresses social norms and encourages audiences to question the status quo. In this seemingly light comedy (that most people remember as the \u201cone where she goes to the forest dressed like a guy\u201d) Shakespeare makes his voice heard on the most pressing topics of his day- gender roles, land grabbing, and censorship. Using traditions defined by the Italian Comedy, Shakespeare brings universal truths to light through laughter. Jonathan Swift, Trey Parker and Matt Stone of South Park fame, and Stephen Colbert clearly took note.<\/p>\n<p>While the entire play is full of terrific food for thought, three characters are shining examples of Shakespeare\u2019s subversive ideas. The court fool Touchstone delivers some of the most glaring social commentary in the play. With his name, which references an actual touchstone- an object that tells us whether or not something is real or fake- Shakespeare sends us the not-so-subtle message to heed the truth that Touchstone speaks. Since the days of the court jester, the clown has played the role of truth-teller. Spreading subversive ideas gets a lot easier when you can shrug these ideas off as a silly joke.\u00a0 One of Touchstones most enduring lines, \u201cThe more pity that fools may not speak wisely what wise men do foolishly\u201d harkens to this point exactly.<\/p>\n<figure style=\"width: 944px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"http:\/\/ichef.bbci.co.uk\/arts\/yourpaintings\/images\/paintings\/warsh\/large\/war_warsh_22_large.jpg\" alt=\"\" width=\"944\" height=\"854\" \/><figcaption class=\"wp-caption-text\">Act V, Scene i by Frederick William Davis, 1902. Touchstone, Audrey and Corin.<\/figcaption><\/figure>\n<p><!--more--><\/p>\n<p>It is no surprise that Rosalind is one of the most enduring female characters of all time. With Rosalind Shakespeare presents a world of possibility where women are in control of their futures- including who they marry and how they woo. The fantasy that Shakespeare presents in <em>As You Like It<\/em> could not be more different from the reality of life in Elizabethan England. Rosalind is a woman who takes her fate into her own hands, cross-dresses (something that was undeniably frowned upon in Elizabethan England and associated with prostitution), and puts her love-interest to the test to see if he is worthy of being her husband. It is especially fascinating that Shakespeare tackled these gender norms as women in Elizabethan England were fighting for more expansive rights. Elizabethan scholar Jean E. Howard writes \u201cThe play shows a woman manipulating those representations [of femininity] in her own interest\u2026.teaching her future mate how to get beyond certain ideologies of gender to more enabling ones.\u201d (\u201cCrossdressing, the Theatre, and Gender Struggle in Early Modern England,\u201d <em>Shakespeare Quarterly<\/em>. 1988). This portrayal of Rosalind as an empowered woman is what has drawn audiences to this play for over four-hundred years.<\/p>\n<figure style=\"width: 2046px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"http:\/\/upload.wikimedia.org\/wikipedia\/commons\/9\/90\/Deverell_Walter_Howard_A_Scene_from_As_You_Like_It.jpg\" alt=\"\" width=\"2046\" height=\"2459\" \/><figcaption class=\"wp-caption-text\">Act V, Scene i by Walter Howard Deverell, 1845-1850. The marriage of Orlando and Rosalind while in disguise.<\/figcaption><\/figure>\n<p>Jaques, the melancholy lord, is one of the most complex and widely debated characters in Shakespeare. His name (pronounced <em>JAY-kweez<\/em>) is controversial. The alternate pronunciation \u201cJakes\u201d means toilet because his philosophy is similar to what one might find there. It is easy to dismiss Jaques as a self-indulgent faux philosopher. This is certainly a popular choice. However, in digging deeper into the history of the time, Jaques can also be read as a lost soul. In 1598, the year prior to the first performance of <em>As You Like It<\/em>, Elizabeth\u2019s court went about cleansing the kingdom of subversive ideas which included book burning. Shakespeare\u2019s friends and contemporaries were victims of this purging. Many were banished- their lives and careers ruined. In Jaques we see these lost authors, poets, and philosophers filled with bitterness about their state. Shakespeare gives Jaques one of the most famous speeches in English literature, \u201cAll the world\u2019s a stage.\u201d This speech is not related to anything that happens in <em>As You Like It<\/em>. Scholars widely regard this speech as Shakespeare taking an opportunity to share his personal beliefs. It\u2019s hard to dismiss Jaques as a self-indulgent hipster when Shakespeare entrusts him with such brilliant philosophy.<\/p>\n<figure style=\"width: 800px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"http:\/\/imageweb-cdn.magnoliasoft.net\/shakespeare\/supersize\/269900.jpg\" alt=\"\" width=\"800\" height=\"361\" \/><figcaption class=\"wp-caption-text\">Act IV, Scene ii by Frederick William Davis, 1905. Jaques and the Duke&#8217;s Lords deliver him a stag in the forest.<\/figcaption><\/figure>\n<p>We are left wondering, then, how Shakespeare escaped censure. He protects himself through his portrayal of Duke Senior and by restoring the status quo at the end of the play. In Duke Senior we see a giving, thoughtful, and undeniably positive portrayal of a monarch. If anyone dared to question Shakespeare\u2019s loyalty to the monarchy, he could point to Senior as an example of his true feelings. By the end of the play Shakespeare restores the equilibrium: Rosalind transforms back into a woman (albeit after pretending to marry Orlando while dressed as a man), Oliver and Orlando are brought together through an act of brotherly love, and the deposed Duke Senior\u2019s power is restored thanks to a religious conversion by his brother. No doubt Shakespeare was a brilliant artist, but he was also a savvy and shrewd man who knew the limitations of the time in which he lived. Social commentary was there for those willing to take it, but he always had the right answer for anyone in power.<\/p>\n<figure style=\"width: 750px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"http:\/\/richardrussellart.com\/store\/images\/As%20you%20like%20it%20web.jpg\" alt=\"\" width=\"750\" height=\"502\" \/><figcaption class=\"wp-caption-text\">Brides and Bridegrooms All by Richard Russell. 2013. Two of the four couples married at the end of the play run off to celebrate.<\/figcaption><\/figure>\n<p>To purchase tickets for <em>As You Like It<\/em> visit our ticket <a href=\"https:\/\/wnsboxoffice.tixato.com\/buy\" target=\"_blank\">website<\/a>. Performances are April 16,18, 23, and 25 at 7:30pm and April 17 and 24 at 7pm with a talk-back following the show.<\/p>\n<p><em>Thanks to Dr. Adam Zucker for discussing Jaques with our cast and illuminating this alternate reading of the character.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Like all good comedies, As You Like It addresses social norms and encourages audiences to question the status quo. In this seemingly light comedy (that most people remember as the \u201cone where she goes to the forest dressed like a guy\u201d) Shakespeare makes his voice heard on the most pressing topics of his day- gender &hellip; <a href=\"https:\/\/willistonblogs.com\/artsspotlight\/2015\/04\/05\/as-you-like-it-shakespeares-politics\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">As You Like It: Shakespeare&#8217;s Politics<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":32,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_s2mail":"yes","footnotes":""},"categories":[3,129,26],"tags":[],"class_list":["post-1183","post","type-post","status-publish","format-standard","hentry","category-arts-news","category-theater-highlights","category-williston-theatre"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/willistonblogs.com\/artsspotlight\/wp-json\/wp\/v2\/posts\/1183"}],"collection":[{"href":"https:\/\/willistonblogs.com\/artsspotlight\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/willistonblogs.com\/artsspotlight\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/willistonblogs.com\/artsspotlight\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/willistonblogs.com\/artsspotlight\/wp-json\/wp\/v2\/comments?post=1183"}],"version-history":[{"count":13,"href":"https:\/\/willistonblogs.com\/artsspotlight\/wp-json\/wp\/v2\/posts\/1183\/revisions"}],"predecessor-version":[{"id":1216,"href":"https:\/\/willistonblogs.com\/artsspotlight\/wp-json\/wp\/v2\/posts\/1183\/revisions\/1216"}],"wp:attachment":[{"href":"https:\/\/willistonblogs.com\/artsspotlight\/wp-json\/wp\/v2\/media?parent=1183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/willistonblogs.com\/artsspotlight\/wp-json\/wp\/v2\/categories?post=1183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/willistonblogs.com\/artsspotlight\/wp-json\/wp\/v2\/tags?post=1183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}