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A play cannot exist without a stage manager, especially a play with lights, props, entrances, exits, movement, story, and flow.\u00a0The person who received the Williston Working Artist Award on May 10\u00a0is someone who remains invisible during performances, but without her,\u00a0Williston literally could not have put on a show, theater director Emily Ditkovski said as she presented the award.<\/p>\n
As stage manager of the spring production of Peter and the Starcatcher<\/em>, Risa Tapanes ’18 was responsible for knowing every component of the production, including every actor\u2019s blocking (movement on stage) and when each prop should come and go.<\/p>\n “When I am lost, I turn to Risa and she always has the answer,” Ditkovski said. “You probably don\u2019t know that during each performance Risa sits high above the stage calling the show from the booth\u2014telling our light board operator to change light cues (in Peter and the Starcatcher<\/em> there were over 150). Risa isn\u2019t just calling ‘Cue 3, standby. Cue 3, Go.’ She is living and breathing the performance with the actors, telling the story through these cues.”<\/p>\n Risa puts countless hours into her work inside and out of rehearsal making sure she knows the show backwards and forwards. “She is a leader,” Ditkovski added, “someone our cast and crew can always count on, and is one of the reasons our 1,000-plus audience members felt the magic of Peter and the Starcatcher<\/em>.”<\/p>\n","protected":false},"excerpt":{"rendered":" A play cannot exist without a stage manager, especially a play with lights, props, entrances, exits, movement, story, and flow.\u00a0The person who received the Williston Working Artist Award on May 10\u00a0is someone who remains invisible during performances, but without her,\u00a0Williston literally could not have put on a show, theater director Emily Ditkovski said as … Continue reading Stage Manager Risa Tapanes Cues Up Williston Working Artist Award<\/span>