As You Like It: Snapshots of Rehearsal

While As You Like It doesn’t open until mid-April, actors, dancers, musicians and designers are already hard at work bringing the play to life. It takes time to tackle Shakespeare’s language, build a set that will transport audiences to the forest of Arden, and to learn music and dances that will bring the spirit of the forest to life. (If you are wondering what dancers and musicians are doing in a Shakespeare play, As You Like It may be the closest thing Shakespeare gets to a musical. Luckily our trusty creative team from Urinetown, music director Joshua Harper and choreographer Debra Vega, are on board! More on that in another post.)

Below you will find a few snapshots of the actors working to bring the play to life through blocking and a sneak peak of the set which is being built as we speak.

The set is coming to life. Under the watchful eye of technical director and set designer Charles Raffetto, students in tech. theatre have been building the set for As You Like It, which will feature these hanging windows.
Under the watchful eye of technical director and set designer Charles Raffetto, students in tech. theatre have been building the set for As You Like It, which will feature these hanging windows.

 

Fight director Jeff Lord teaches members of the cast (Henning Fischel '17 and Sarah Lucia '16) how to catch Orlando (John Kay '15) during the wrestling scene.
“If I had a thunderbolt in mine eye,  I can tell who should down.”Fight director Jeff Lord teaches members of the cast (Henning Fischel ’17 and Sarah Lucia ’16) how to catch John Kay ’15(Orlando) during the wrestling scene in Act 1, Scene 2.

 

"There are none of my uncle's marks upon you: he taught me how to know a man in love; in which cage of rushes I am sure you are not prisoner." Melissa Falcone '15 (Rosalind) and John Kay '15 (Orlando) work on their blocking for Act 3, Scene 2.
“There are none of my uncle’s marks upon you: he taught me how to know a man in love; in which cage of rushes I am sure you are not prisoner.”
Melissa Falcone ’15 (Rosalind) and John Kay ’15 (Orlando) work on their blocking for Act 3, Scene 2.

 

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