Frank’s film, Breezeless, swept into first place. The short won praise from the panel of judges—all of whom have made their careers in the film making industry. Steve Porter ’97 is the owner of owner of PorterHouse Media; Patrick Burns ’89 is an editor at the Northern Lights Post; and Loren Feinstein ’01 recently directed the documentary Ciclovida: Lifecycle.
“I don’t know how to explain how fun it is,” said photographer Gregory Heisler of his career choice. “It’s super duper fun.”
Clad in a bow tie and round glasses, Heisler, currently the artist-in-residence at the Hallmark Institute of Photography in Turners Falls, MA, addressed the Advanced Photography students as the penultimate lecturer in the 2011-2012 Photographers’ Lecture Series on Tuesday, April 24.
Heisler’s range of work includes advertisements for clients such as American Express and Nike, and privately commissioned portraits of subjects including Bruce Springsteen and New York City Mayor Edward Koch.
A veteran photographer, Heisler gave an animated anatomy of a photo shoot, using as an example a recent shoot with Lebron James, Chris Bosh, and Dwayne Wade he had done for Sports Illustrated.
National Geographic Photographer, Sam Abell will visit The Williston Northampton School on Wednesday, May 9 as the final photographer in the 2011-2012 Photographers’ Lecture Series.
Mr. Abell will teach an Advanced Photography class and give a lecture, which is open and free to the public, at 6:30 p.m. in the Dodge Room of the Reed Campus Center.
According to his website, Mr. Abell’s photographic life began at a very young age. In high school in Sylvania, OH and later at the University of Kentucky, he was the editor and photographer for the schools’ yearbooks.
Williston Northampton’s AP Microeconomics class will host Steven R. Cunningham, the director of research and education at the American Institute for Economic Research (AIER) on Friday, May 4.
As a recent guest curator at Easthampton City Arts, Williston Northampton art teacher Marcia Reed designed an exhibition, which highlighted the private side of artists.
“I do work that I never show to anyone, ever, and I have a lot of it,” said Reed. “I exhibit this, that, and the other thing, but I never show this private side, this hidden side.”