Category Archives: Fine & Performing Arts

Twelve Days

by Rick Teller '70, Williston Northampton Archivist

(Note: this article was originally posted on December 23.  In the ensuing five days, new information came to light, notably (see the comments at bottom) concerning the year “Christmas Soup” was introduced at Williston, resulting in this revision, posted December 28, 2017. — RT)

A couple of years back a comic arrangement of “The Twelve Days of Christmas,” performed by a certain a cappella ensemble from Indiana University, had a sudden surge of popularity.  Apparently unbeknownst to them — despite the presence of the author’s signature on the last page of the score — the “Twelve Days of Christmas” parody was sung by the Williston Academy Caterwaulers of 1967-68.  It was composed by their director, longtime (1961-2004) Williston fine arts teacher Richard Gregory.  Dick founded the Caterwaulers in 1965, as an evolution from the former Double Quartet, long attached to the Glee Club.  The name is a play on the school’s “Wildcat” mascot, and a line from the English version of a once-popular Haydn vocal catch, “You caterwauling rogues, be gone.”

The Caterwaulers of 1967-68, the first civilians to sing “Christmas Soup.”

“Christmas Soup” (the real title of Dick’s arrangement) stayed in the Caterwaulers’ repertoire for nearly three decades.  Dozens of former Caterwaulers went on to college singing groups.  Many took copies of Caterwauler arrangements with them, well within the collegiate a cappella tradition that also brought arrangements by the Baker’s Dozen and Whiffenpoofs — Dick’s groups at Yale in the early 1950s — into the Caterwaulers’ repertoire.  “Christmas Soup” was actually performed and even recorded, with proper attribution, on multiple occasions around the country before Straight, No Chaser picked it up.  And to their credit, they now perform it (I am told) with appropriate acknowledgment of the author.

But, Dick Gregory points out, “Christmas Soup” didn’t originate with the Caterwaulers.  From 1957-1960, Dick was a lieutenant in the United States Navy.  For most of that time, he was stationed on Guam, where he created “Christmas Soup” for a group of his fellow officers.  Since they were members of a communications unit, they called themselves the “Seven Nicators.”  They stuck with that until three of their members were rotated out, and the remainder deemed the name inappropriate for a quartet.  Dick made some minor revisions for the Caterwaulers, but only the ending was new.

Dick Gregory, concluding his last Williston class in 2004.  He is retired and living in Easthampton.

Straight, No Chaser’s performance breaks off abruptly and segues into “Christmas in Africa.”  I once found this baffling, until I came across a recording by a group from Ball State University, also in Indiana, that shifts gears in exactly the same place.  Suddenly, all was clear: the copy of the music that was being passed around between Bloomington and Muncie was missing the final page.  And that’s why no one there knew that Dick had written it, or when.

At a Williston Alumni Reunion in June, 2009, a large gathering of former Caterwaulers got together to rehearse and perform “Christmas Soup” and a number of other favorites.  If the following video lacks the polish of more professional renderings (and I can’t help noting that it sounds pretty good for a bunch of underrehearsed old guys), it has the distinction, not to mention authenticity, of including several of the singers who originated it, and Dick Gregory himself directing.  You can’t get more authentic than that!

For the record, “Christmas Soup,” a.k.a. The Twelve Days of Christmas,” with the ending as sung in the preceding video, is copyright ©1967, Richard C. Gregory.

On behalf of all of us at Williston Northampton, happy holidays!

Heroic

by Caren Altchek Pauley '62 and Holly Alderman '67

The truth, looking back now in the mirror of time, now, is that most of the teachers seem heroic in their own ways – all hard working women, very conscientious, and kind.  In current culture, the general kindness of our classrooms seems a profound blessing. — Holly Alderman.

Some weeks ago, as we prepared a special Northampton School for Girls feature in the Williston Bulletin, I asked a few alumnae to name adults whose presence during those formative and formidable ‘Hamp School years had made a difference.  We couldn’t use every response.  But two of them, from Caren Altchek Pauley and Holly Alderman, were special enough to deserve publication.  Here they are, with thanks to the authors for allowing us to share! — RT

Dagmar Abkarian
by Caren Altchek Pauley ’62

Dagmar Abkarian (left), with teacher Viola Hussey and housemother Katherine Weller. (If anyone has a better photo of Ms. Abkarian, please contact the Archives!)
Dagmar Abkarian (left), with teacher Viola Hussey and housemother Katherine Weller. (If anyone has a better photo of Ms. Abkarian, please contact the Archives!)

With a comforting presence, Dagmar Abkarian ruled the  pristine two-room Northampton School for Girls “infirmary,” located on the upper floor of Montgomery House.  During my tenure, 1959-1962, she was a formidable presence, dark, round and with an unusual lumbering gait which seemed to separate her legs when she walked. She wore an immaculate white uniform, nurse’s coif, sensible white shoes, and a name badge.  She was unlike any other teacher or faculty member at the school.  Her coloring was like mine.  It separated her and me from nearly all the other  faculty, staff members and students  who were mostly light eyed blonds and fair skinned.  She was also a bit garrulous and although a mature woman, rather girlish at the same time.

I was a frequent visitor to the infirmary, as every bout of homesickness, math test, science test, and athletic competition caused me to seek consolation in her peaceful domain.  Before school counselors became de rigueur, it was the school nurse on whom we depended for advice on “how to survive”.  She took my temperature, and then usually pronounced me OK, to my utter and complete disappointment.  Then she discussed the challenges of that moment, before nearly squeezing me to death in an affectionate hug.  With her sympathetic endorsement, I knew I could make it through the morning geometry exam and even the afternoon field hockey game, although in my heart of hearts I knew I had little talent for either and thoroughly loathed both. Continue reading

Un-Alma Mater

by Richard Teller '70, Archivist

Happy new year from the Williston Northampton Archives!

Not long ago someone asked about school songs.  She was a bit surprised that Williston has had several “official” alma maters1 — that would be almae matris for the Latin purists among us — over the last century or so.   Many of us recall “God Preserve Our Alma Mater” (insufficiently secular for today’s Williston, and with a controversial tune), “Arise, Sons of Williston” (we’re fully coed; are our girls supposed to sit?), “As We Put Long Years Behind Us” (from Northampton School; includes the line “Our Girlhood Days Are O’er”), and a few others less memorable.  Today’s anthem of record is “O Williston,” also known as “Hail to Williston Northampton.”2  The traditional and ageless “Sammy,” of course, remains ubiquitous.  Long may we cherish it.  Him.  Whatever.

Richard Gregory
Richard Gregory

All these songs share a kind of sentimental reverence.  Well, almost all.  Back in 1966, when Williston Academy was celebrating its 125th anniversary, legendary music teacher Richard Gregory, no doubt cringing over the mawkish encomiums such events tend to inspire, penned the following lyric for the Caterwaulers.  The piece became one of their signature tunes during the sixties and into the seventies.

We need no songs about your Founder.
We mourn no matriarchal elm.
The mists of time that rise around her
Somehow fail to overwhelm.

Five hundred cynics, all austerely
Unsentimental every one.
We’d rather die than speak sincerely,
But when all is said and done,
We do confess we love you dearly,
You old relic, Williston!

The 1966 Caterwaulers
The 1966 Caterwaulers

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To taste her bunkum joys . . .

By Rick Teller '70, Archivist
Cartoon from the 1878 Caldron, a senior class yearbook. (Click all images to enlarge.)
Cartoon from the 1878 Caldron, a senior class yearbook. (Click all images to enlarge.)

There was a time, before the advent of radios and recordings, and long before the current era of individually headphoned, asocial music, when everyone sang.  Sang together, without coercion, for the sheer joy of singing.  (Anyone who sings will tell you that it is a marvelous means of community-building.)  Williston Seminary students were no exception.  There were, of course, many singing-societies and glee clubs, but any occasion or activity, from football games to debate meetings, was a cause for music.  Student letters describe athletes and spectators riding the train to away games, singing all the way.

Many of the tunes were from well-known songs of the time, but often with words unique to Williston.  Some were borrowed from college songbooks, notably those of Yale.  To disseminate the lyrics, student organizations printed song sheets and songbooks.  “Sammy,” by Pitt Johnson, class of 1905, and still ubiquitous today, made its first printed appearance in a song sheet from that year.

Detail from "Williston School Songs," 1905.
Detail from “Williston School Songs,” 1905.

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