Category Archives: Williston Academy

The Center of All Days

Williston Northampton’s Upper School hears an annual lecture on some aspect of school history.  The event is popularly known as the “button speech,” even though most years no mention is made of Samuel and Emily Williston’s button-derived philanthropy at all.  On January 30, 2013, Archivist Rick Teller ’70 spoke about diversity issues.

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Good morning.  I’m here to talk about Diversity in Williston Northampton’s past.  How did we get to where we are?  Perhaps I should warn you: what you’re about to hear will not always be pretty.  History, including our own, shouldn’t come with perfume or blinders.

It is hard to pin down when Williston first enrolled students of color.  Student records simply no longer exist prior to the 1860’s.  But it appears that African American students first began to attend Williston sometime in the 1870s.  I can’t tell you who our earliest African American student was.  The first I can name is Robert Bradford Williams, who arrived in the fall of 1877 and graduated in 1881.  Williams was from Augusta, Georgia.  He was a protégé of Miss Lucy Laney, who ran an Augusta school for black children, and who worked tirelessly to find places in Northern schools for students of promise.  Miss Laney managed to get funding for Williams from the Reverend Joseph Twichell, a prominent Hartford clergyman and close friend of Mark Twain.

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The Round World Squared

Horace Edward Thorner (1909-1981) taught English at Williston Academy from 1943 to 1970, and served as the school’s Librarian.  For ten years prior to coming to Williston, he was a practicing psychologist.  Such bald biographical data insufficiently describes a multifaceted scholar, collector of and dealer in rare books, antiques, and atrocious puns, coach of the Williston Chess Team, and, simply, a fine teacher.

A prolific author, Thorner’s writings include verse translations of Homer’s Iliad and the Rubaiyat of Omar Khayyam, a play, The Man Who Shot God, many works of criticism and history, and several volumes of poetry.  He is unique among our faculty for having been an elected fellow of both the Royal Society of London and the National Institute of Arts and Letters.

In 1965-66 Thorner, on sabbatical from Williston, traveled around the world.  To supplement, or perhaps supersede, his camera, he carried a notebook in which he recorded his impressions in verse.  These he collected in The Round World Squared (Hawthorne Publications, 1979).  In the introduction he commented, “Each of the poems was written on the spot at the time, proving nothing more, perhaps, than that a man like me does well to keep on moving.”

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Home, Sweet Home

Among the great themes in private school life, dorm room decoration is, perhaps, insufficiently recognized as one of the Great Traditions.

But consider the first image below, taken in North Hall in 1903.  All the elements of modern-day student interior decoration are present.  The overall theme might be described as “Eclecticism, and Too Much Of It.”  There is an emphasis on advertising and clipped photographs, especially portraits of unattainable celebrities of opposite gender.

Perhaps the impression of young gentlemen sitting up straight and reading in their jackets and ties doesn’t seem quite real, but it is somewhat mitigated by paper that didn’t quite hit the wastebasket.

Herbert B. Howe’s room in North Hall, 1903. (Howe Scrapbook) (Click all images to enlarge)

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Monster! Monster! Dread our fury!

Trial by Jury, 1939. Photo donated by Sally Showalter Hubbard ’40. (Click all photos to enlarge)

One of the pleasures of working in the Archives is that sometimes a question will lead to a whole new line of inquiry.  Or, to put it more simply, one will open a file and an idea for a blog post will jump out.  Recently, research on behalf of a member of the Class of 1940 led to this photograph, from the first in a long tradition of Gilbert and Sullivan operetta performances.  On May 5, 1939, the Glee Clubs of Williston Academy and Northampton School for Girls performed Trial by Jury on a makeshift stage in the basketball court.  Chuck Rouse, Ruth Dunham, and Frederick “Binky” Hyde were co-directors; Howard G. Boardman provided scenery and lights.

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