Tag Archives: Horace Thorner

“A man whose God laughs little . . .”

by Rick Teller '70, Williston Northampton Archivist

A recent social media discussion among members of the Class of 1968 recalled Horace Thorner, English master from 1943 to 1970, a scholar whose breadth of interests and talents was truly extraordinary.  Thorner was a poet of frequent insight and technical virtuosity.  Some of his work has already appeared on this blog.  (See “The Round World Squared.”

For the school’s 125th anniversary in 1966, Thorner was asked to write a celebratory “Ode to Williston.”  Commemorative poetry is tricky; it is hard to avoid either hyperbole or mawkishness.  Thorner was reasonably — though not entirely — successful.  But his chapter on founder Samuel Williston is especially perceptive; Thorner, writing for an audience that perhaps expected the old hagiographic legend, captures the essential conflicts in the man better than others have managed using many more words (see “The Button Speech” ).

II. The Founder

Who was this man?  There is no simple rule
     To separate the warm flesh and the blood
From such another statue, pale and cool,

As since the time of ancient Athens stood
     In lifeless grandeur in the public square,
Defying time and tempest, lightning, flood,

But never living, never quite the bare,
     The unadorned, the simple human truth,
Standing in unabashed completeness there.

Indeed, he was ambitious as a youth,
     A start for marble statues, but God's will
To spoil his eyes left him uncouth,

Compared to what he wanted for his goal,
     To preach, just as his father had, to strive
With old New England devils for the soul.

He had his children, none of whom would live,
     And felt God's wrath, but trusted and was brave,
Adopted others Emily would love —

A stern man but a just one and no slave
     To outward polish in his speech or act,
Never forgetting that his father gave

A life of service to the church, a fact
     That well accounts for all the generous years
He took such care his parish never lacked.

We see the flesh through marble, know his fears
     To board a ship on Sunday well may show
A man whose God laughed little, lived on tears.

He may have driven bargains hard.  We know
     The history of most great fortunes proves
The man who rises, steps on some below,

And afterwards he finds that it behooves
     That he appease his conscience by his tithes.
Some great philanthropists had cloven hooves.

But whether conscience prospers or it writhes,
     The good it does lives after it, and so
They well deserve their shining laurel wreathes.

Williston wrote his conscience long ago
     Into the charter of his school.  The words
Still shine upon the fading page and glow

With all the brightness of crusader's swords.
     "Knowledge without goodness" — so they read —
"Is powerless to do good."  The phrase affords

An insight to the sturdy heart and head
     Of Williston, for they were words he chose,
Although, indeed, they had been elsewhere said.

On this foundation, then, the school arose
     Between the winding river and the hill
That speak God's strength in action and repose.

Horace E. Thorner
Naples, Italy, February 1966

All eight sections of Horace Thorner’s “Ode to Williston” are too long to publish here.  Readers who would like copies of the entire poem may email archives@williston.com.

Samuel Williston

Rogues’ Gallery

by Rick Teller '70, Williston Northampton Archivist
From the top: Doc Phillips. Boardy, Heppy.
Clockwise from left: A. L. Hepworth, Ralph Phillips, Howard Boardman.

We lost James Hamilton, class of 1961, last year.  He was many things — printer, conservationist, history buff, devoted Williston and Dartmouth alumnus — you can read more about him here. His Cohasset, Mass. neighbors and, especially, his Williston classmates will remember him as a perceptive and occasionally wicked cartoonist and caricaturist.

Most of Jim’s work graced the pages of The Log and The Willistonian from 1959 through 1961.  For those who remember his favorite subjects or victims, the drawings are remarkably on target.  They tend to feature several prominent faculty members, and a crewcutted, slightly beefy meathead named Willy, who bore an odd resemblance to Jim himself.

So discovery of new drawings by Jim Hamilton is cause for celebration.  Several weeks ago Laurie Hamilton generously sent a stack of Willistonia to the Archives, and there, tucked into a copy of the yearbook, were several sketches.  Thanks, Laurie!

One of the newly acquired sketches, featuring chemistry teacher Ralph "Doc" Phillips, Dean A. L. Hepworth, and French teacher/drama coach/Alumni Secretary/Ford Hall master Howard G. Boardman.
One of the newly acquired sketches, featuring chemistry teacher Ralph “Doc” Phillips, Dean A. L. Hepworth, and French teacher/drama coach/Alumni Secretary/Ford Hall master Howard G. Boardman.
Models Doc, Heppy, and Boardy.
Favorite targets: models Doc, Heppy, and Boardy.

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The Round World Squared

Horace Edward Thorner (1909-1981) taught English at Williston Academy from 1943 to 1970, and served as the school’s Librarian.  For ten years prior to coming to Williston, he was a practicing psychologist.  Such bald biographical data insufficiently describes a multifaceted scholar, collector of and dealer in rare books, antiques, and atrocious puns, coach of the Williston Chess Team, and, simply, a fine teacher.

A prolific author, Thorner’s writings include verse translations of Homer’s Iliad and the Rubaiyat of Omar Khayyam, a play, The Man Who Shot God, many works of criticism and history, and several volumes of poetry.  He is unique among our faculty for having been an elected fellow of both the Royal Society of London and the National Institute of Arts and Letters.

In 1965-66 Thorner, on sabbatical from Williston, traveled around the world.  To supplement, or perhaps supersede, his camera, he carried a notebook in which he recorded his impressions in verse.  These he collected in The Round World Squared (Hawthorne Publications, 1979).  In the introduction he commented, “Each of the poems was written on the spot at the time, proving nothing more, perhaps, than that a man like me does well to keep on moving.”

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