Recently, through the generosity of Mr. Eric Brothers, the Archives acquired two letters written by William Brooks Cabot, class of 1876, to his mother in Brattleboro, Vermont. In August, 1874, Cabot had just arrived at Williston Seminary, and was enrolled in the Middle Class — the equivalent of the modern 11th grade — in Williston’s Scientific curriculum. The following transcriptions retain William’s occasionally idiosynchratic punctuation and free-form sentence and paragraph structure. He was, after all, just 16 years old and, in fairness, somewhat ahead of his peers (then and now) in matters of spelling.
It was a Sunday. William had just moved out of a dormitory and into a boarding house where he had already arranged for his meals — the school had no dining hall of its own at this time.
Easthampton, Aug. 30th 
I am sorry father was not at home to decide what course I should take with regard to my studies. I shall take Geometry, Drawing, Zoology, & German, though if possible I shall take Latin instead of Zoology.
We have changed our rooms & are now boarding where we take our meals. I only pay $5 $6.00 per week in all, which is about twenty five cents more than I paid – or rather, was to pay at the Sem. It’s much more convenient for meals & we have carpets & towels, & do not have to do our own chamber work, as we did at the Sem. We paid our tuition yesterday. My bill was $26.00.
We have to attend chapel at a little before nine in the morning. We do all our studying in our rooms, which I like very much. At 7:30 P.M. the chapel bell rings, and we must go to our rooms immediately. Once in a while a Prof. will happen around after dark, to see if we are all in our rooms, but we have not been honored by a visit as yet.
We are living at a Mrs. Embury’s, where there are five of us. One is from Moline, Ill. & another from Scranton, Pa.
William’s housemates can be identified as Frederick William Keator, class of 1876 Classical, from Moline, and Edwin Hunter Lynde ’76 Scientific, from Scranton. For a newly-enrolled kid who had, to this point, grown up in southern Vermont, these may well have seemed like exotic places. As he would no doubt later discover, while the majority of students hailed from the Northeast, in 1874 Williston enrolled students from as far away as Louisiana, Alabama, and the Sandwich Islands (Hawaii). Continue reading →
Anyone familiar with Easthampton in the ’40s through the ’60s is likely to recall a taciturn gentleman with an easel and paintbox, often engaged in capturing a town landmark or rural scene. Albert Kiesling (1885-1968) was born in Clinton, Mass., and moved to Easthampton to work in the textile mills. He was a protégé and friend of the American expressionist painter Oscar F. Adler (1868-1932), another Clinton native. In fact, Kiesling and Adler often painted the same scenes together.
In the summer of 2016, Easthampton CityArts+, in association with Albert Kiesling’s family, mounted an exhibition and sale of a large group of his paintings, at the Mill Arts Project (MAP) Gallery at Eastworks in Easthampton. The following video, from Easthampton Media, is an excellent introduction to Kiesling’s work. (Alumni from certain eras may recognize some of the people interviewed.)
There are five known Kiesling paintings of Williston scenes. One had been on campus since 1945. Following the CityArts+ exhibit, Williston Northampton was able to obtain the other four, through a combination of alumni generosity and purchases. They are:
The Old Gymnasium
The Old Williston Seminary Gym, with its distinctive tower, was built in 1864, the first free-standing athletic building in any American secondary school. It stood on High Street, at the rear of the original Williston campus. Rendered largely obsolete by the construction of the Recreation Center (now the Reed Campus Center) in 1930, it was razed following the school’s consolidation onto the present campus in 1951. Kiesling painted the scene in 1952. Williston Northampton was able to acquire the painting through the generosity of Patricia Zavorski Coon ’61. This painting currently hangs in the office of the Director of Athletics.
The Button Mill
The painting of the original Williston Button Mill, Easthampton’s first factory building, was commissioned in 1945 by Charles Johnson, class of 1875, Treasurer of Easthampton Savings Bank, and presented to the school by the Class of 1905, one of whose members, Guy Richard Carpenter, was instrumental in tracking down and preserving many of the documents and memorabilia that now comprise the Williston Northampton Archives. The building, which still stands on Union Street, was erected in 1846-47. One of the workers’ tenement houses beyond the mill also remains, now home to the Easthampton Diner. Kiesling added a couple of historical touches to the background: the spire of the Payson (now Easthampton Congregational) Church and, in front of it, Williston’s original (1841) White Seminary building. This painting hangs in the front parlor of the Head of School’s Residence.
The Old Campus
This undated painting now hangs in the Advancement Conference Room in the Williston Homestead. Purchased in 2016 via the Archives Fund, it shows the pre-1951 campus from the intersection of Main and Union Streets, from the vantage point of the Congregational Church’s front lawn. The buildings, from right, are South, Middle, and North Halls. All these structures were torn down after the move to the New Campus in 1951, but a portion of the distinctive iron fence remains in place. Also visible are the Maher Fountain, which remains today, and the First Congregational Church, which succumbed to fire in 1929.
In the mid-19th century, Hill’s Mansion House was Easthampton’s grand hotel. Even then, it housed Williston students able to pay the premium rates. The huge wooden building stood at the top of the hill on the corner of Main and Northampton Streets. In the early 20th century, when the hotel business had fallen off, the school bought the building and renamed it Payson Hall. It was used as a dormitory, dining commons, and for many years, the home of the Williston Junior School. From the early 1950s on the structure, in increasingly fragile condition, hosted inexpensive apartments. It burned in the early 1970s. Kiesling’s 1963 painting, part of the 2016 purchase, is now in the office of the Director of Alumni Engagement.
The Williston Birthplace
Here the subject is the Payson Williston parsonage, also known as “The Birthplace,” on Park Street, opposite the Homestead. Dated 1968, thus one of Kiesling’s last paintings, this seems less successful than the others – something in the perspective is not quite right. The artist has set the building well back from the road and included a nonexistent mountain. Also part of the 2016 purchase, this painting presently hangs in the Williston Birthplace, now a faculty residence.
Finally, if you watched thevideo, you’ll recall that Kiesling was also an enthusiastic creator of snow sculpture, often of epic proportions. On Saturday, February 10, as part of the 5th Annual Easthampton Winterfest, the Nashawannuck Pond Steering Committee will host the First Annual Albert Kiesling Snow Art Competition. Please click the link for details!
Andy Lapidus – Andrew Stone Lapidus – wasn’t at Williston Academy for very long. Having spent three years at Avon Old Farms, he was tempted north to Williston’s greener French Department and pastures in 1964. Away from the classroom and the soccer field, he was rarely without a camera, and at a time when Williston didn’t offer a photography class, organized a camera club.
He left Williston in 1966 for the Cate School in Carpinteria, California, met his future bride Roxanne, and eventually shifted his professional attentions from French to counseling and advocacy for youth. They raised three sons, Peter, Alex, and Paul. Sadly, he left us, aged 72, in 2010. A few months ago Roxanne sent the Archives a cache of photographs he’d taken at Williston. We exchanged a couple of letters – she was initially surprised that anyone remembered him. Roxie visited the campus at Reunion last May and met others who had fond recollections as well.
But of course I remembered him. Andy was unforgettable. Perhaps I should qualify that memory. In 1964 I was 12, a somewhat nerdish, classically-trained Williston faculty brat. Brats of my ilk found Andy fascinating. Here was an adult who didn’t take adult-ness too seriously, who would break off a grownup conversation to deliver a wicked aside meant only for juvenile ears, or deliver a straight-faced pun so horrible that even Horace Thorner would shudder. He was subversively funny. I think we understood that deep down, he was one of us.
And his camera was an essential accessory. Some of Andy’s native whimsy comes through in his photographs, especially in certain portraits, which often capture something unspoken about their subjects.
Here is a sampling. Where images are uncaptioned, it is because we don’t know who the people are. Readers are invited to help us with that; please email firstname.lastname@example.org; if you can fill in a blank, or if anyone is mis-identified, we’d like to know!
We lost James Hamilton, class of 1961, last year. He was many things — printer, conservationist, history buff, devoted Williston and Dartmouth alumnus — you can read more about him here. His Cohasset, Mass. neighbors and, especially, his Williston classmates will remember him as a perceptive and occasionally wicked cartoonist and caricaturist.
Most of Jim’s work graced the pages of The Log and The Willistonian from 1959 through 1961. For those who remember his favorite subjects or victims, the drawings are remarkably on target. They tend to feature several prominent faculty members, and a crewcutted, slightly beefy meathead named Willy, who bore an odd resemblance to Jim himself.
So discovery of new drawings by Jim Hamilton is cause for celebration. Several weeks ago Laurie Hamilton generously sent a stack of Willistonia to the Archives, and there, tucked into a copy of the yearbook, were several sketches. Thanks, Laurie!