Category Archives: Williston Northampton School

Founders’ Day

by Rick Teller '70, Williston Northampton Archivist
The cover to a Founder’s Day invitation, 1895

According to most evidence, Williston Seminary began to celebrate Founders’ Day shortly after Samuel Williston’s death in 1874.  The original tradition was to commemorate the Founder on or close to his birthday, June 17.  Typically it was one element of Senior Week, which culminated with graduation exercises.  It was a major event.  The oldest surviving program, from 1895, presents a full afternoon of wreath-laying and speeches.

The Founders’ Day program, 1895.

Some form of the event survived into the 1970s.   By mid-century, it had been moved to a date earlier in the spring.  The school assembled at the Williston gravesite in the Main Street Cemetery, where either the Headmaster or Dean A. L. Hepworth would talk about the Willistons, and typically many of the other former heads and faculty interred nearby.

At the gravesite, probably 1970. Headmaster Phillips Stevens and Chaplain Roger A. Barnett.
May, 1966. Teacher Peter Rowe lays a wreath on Emily Williston’s grave. Other identifiable faculty include, from left, Frank Putnam, Yves Couderc (center, behind Mr. Rowe), Daniel Carpenter, A. L. Hepworth, Wilmot Babcock (partially obscured), and Alan Shaler (on the right margin).

In 2016, during Williston Northampton’s 175th Anniversary celebration, Founders’ Day was revived, now as a February event celebrating the tradition of giving that was so much a part of who Samuel and Emily Williston were.  It has become a major element in the School’s annual Advancement effort.  On February 20, 2019, our goal was to inspire 1,178 donors — for Williston’s 178th year.  Achieving that participation target triggered an additional $75,000 challenge grant, while several classes and the Williston Parents created incentives of their own.  By the end of the day we had vastly exceeded expectations, as nearly 1,400 alumni, parents, faculty, students, and friends realized almost $400,000.

Joesph Sawyer, ca. 1909.

For Headmaster Joseph Henry Sawyer, who joined the faculty in 1866 and led the school from 1884-1886 and 1895-1919, Founders’ Day was especially meaningful.  After all, he had known Emily and Samuel Williston personally, as well as most of the other major figures from the school’s early years.  In 1911 his friend Herbert M. Plimpton, class of 1878, published several of Sawyer’s Founders’ Day addresses.

June 17, 1909, fell on the same day as Commencement, so much of the traditional Founders’ Day speechifying was curtailed.  But Sawyer, in his graduation remarks to the senior class, included a few words —actually, more than a few — about Samuel Williston.  While the religious element Sawyer evokes is de-emphasized in 21st-century Williston Northampton, much of what Sawyer had to say seems especially relevant for students and alumni today.  The text, from Plimpton’s compilation, is reproduced below.  (Please click the images to enlarge them.)x

An Intersession Gallery

by Rick Teller '70, Williston Northampton Archivist
Alan Shaler’s cooking class, with Gwen Pullman and Barbara Sloan, 1979. (Click all images to enlarge.)

For twenty-one years, beginning in 1975, Williston Northampton culture was partially defined by the Winter Session, later called Intersession, program.  It was modeled on the January Term programs then popular in many colleges.  The “statement of purpose” in the prospectus for the first year read,

“During most of the academic year, the Williston Northampton School is primarily concerned with the very important task of giving its students the best in college preparatory academics.   This should and must be our primary task, but often this leaves little or no time for experimentation with new programs and different approaches to learning.  Thus, during the school year 1974-75, Williston Northampton has lengthened its overall school year and set aside 25 days in January during which the whole school community will concentrate on programs which tend to be extra-curricular during the bulk of the school year.”

A quilting workshop, 1991

“The emphasis during the Winter Session is on learning by doing.  The student will not just read about the Navajo Indians but he will actually go and live among them.  He will not just speak French in class but will speak it with and among Frenchmen in Cannes.  He will perform in a play; or sing in a chorus; or build a table; or learn to type; or serve senior citizens in the community; or work each day with mental patients; or observe criminal court proceedings; or … the list goes on and on.  Student and teacher will be active and involved.  The student will not be graded but will be expected to evaluate his own accomplishments at the end of the session, which evaluation together with a verbal evaluation of his work  by the teacher will be placed in his permanent file.”

Students at the Ming Tombs, Nanjing, China, 1982

One observes, alas, the use of gender-specific pronouns to describe a program at a school then in its fourth year of full coeducation.  But let us overlook that, for the moment; it is symptomatic of a cultural issue endemic to the school for more than a decade after the merger with Northampton School.  This has been discussed elsewhere.  (See the last part of “Northampton School for Girls – and After.”)  Better we should consider the ambitious nature of this fledgling program which, remarkably, achieved most of its goals and established a high standard in that very first year.

Bob Bagley assisting with wooden toy-making, 1991

Over the next few years the program would grow and evolve.  The range of some of the offerings is hinted at in excerpts from the annual catalog, reproduced at the bottom of this article.  Students were encouraged to try new things, new approaches to learning — and by the second decade, students were teaching some of the courses.  Faculty frequently taught their avocations, rather than their academic specialties: some of the offerings over the years included fine cooking with Alan Shaler (English), carpentry and toymaking from Bob Bagley (Math), wood carving with Ann Vanderburg (Math), home renovation with Stephen Seybolt (English) and Bob Couch (Math and Photography), music and architectural appreciation from Elizabeth Esler (Librarian), “Developing a Comic Character” with Stan Samuelson (Math),  investment from Robert Blanchette (French), figure skating with Harriet Tatro (Science). Continue reading

Twelve Days

by Rick Teller '70, Williston Northampton Archivist

(Note: this article was originally posted on December 23.  In the ensuing five days, new information came to light, notably (see the comments at bottom) concerning the year “Christmas Soup” was introduced at Williston, resulting in this revision, posted December 28, 2017. — RT)

A couple of years back a comic arrangement of “The Twelve Days of Christmas,” performed by a certain a cappella ensemble from Indiana University, had a sudden surge of popularity.  Apparently unbeknownst to them — despite the presence of the author’s signature on the last page of the score — the “Twelve Days of Christmas” parody was sung by the Williston Academy Caterwaulers of 1967-68.  It was composed by their director, longtime (1961-2004) Williston fine arts teacher Richard Gregory.  Dick founded the Caterwaulers in 1965, as an evolution from the former Double Quartet, long attached to the Glee Club.  The name is a play on the school’s “Wildcat” mascot, and a line from the English version of a once-popular Haydn vocal catch, “You caterwauling rogues, be gone.”

The Caterwaulers of 1967-68, the first civilians to sing “Christmas Soup.”

“Christmas Soup” (the real title of Dick’s arrangement) stayed in the Caterwaulers’ repertoire for nearly three decades.  Dozens of former Caterwaulers went on to college singing groups.  Many took copies of Caterwauler arrangements with them, well within the collegiate a cappella tradition that also brought arrangements by the Baker’s Dozen and Whiffenpoofs — Dick’s groups at Yale in the early 1950s — into the Caterwaulers’ repertoire.  “Christmas Soup” was actually performed and even recorded, with proper attribution, on multiple occasions around the country before Straight, No Chaser picked it up.  And to their credit, they now perform it (I am told) with appropriate acknowledgment of the author.

But, Dick Gregory points out, “Christmas Soup” didn’t originate with the Caterwaulers.  From 1957-1960, Dick was a lieutenant in the United States Navy.  For most of that time, he was stationed on Guam, where he created “Christmas Soup” for a group of his fellow officers.  Since they were members of a communications unit, they called themselves the “Seven Nicators.”  They stuck with that until three of their members were rotated out, and the remainder deemed the name inappropriate for a quartet.  Dick made some minor revisions for the Caterwaulers, but only the ending was new.

Dick Gregory, concluding his last Williston class in 2004.  He is retired and living in Easthampton.

Straight, No Chaser’s performance breaks off abruptly and segues into “Christmas in Africa.”  I once found this baffling, until I came across a recording by a group from Ball State University, also in Indiana, that shifts gears in exactly the same place.  Suddenly, all was clear: the copy of the music that was being passed around between Bloomington and Muncie was missing the final page.  And that’s why no one there knew that Dick had written it, or when.

At a Williston Alumni Reunion in June, 2009, a large gathering of former Caterwaulers got together to rehearse and perform “Christmas Soup” and a number of other favorites.  If the following video lacks the polish of more professional renderings (and I can’t help noting that it sounds pretty good for a bunch of underrehearsed old guys), it has the distinction, not to mention authenticity, of including several of the singers who originated it, and Dick Gregory himself directing.  You can’t get more authentic than that!

For the record, “Christmas Soup,” a.k.a. The Twelve Days of Christmas,” with the ending as sung in the preceding video, is copyright ©1967, Richard C. Gregory.

On behalf of all of us at Williston Northampton, happy holidays!

Summer Reading

by Rick Teller '70, Williston Northampton Archivist

June — the seniors have graduated, the underclassmen have finished assessments (which are what we at kinder-gentler Williston used to call “exams”), and a lazy green quiet has settled onto the campus.  Our parting shot to our returning students: “Goodbye, and don’t forget your summer reading!”  It has been so for nearly a century.

I have a confession.  Back in the summer of 1966, prior to my entering Williston Academy’s 9th grade, I was handed a list of perhaps half a dozen books.  Now, I loved to read, almost at the expense of any other summer activity.  And there was good material on the list, most especially Walter Edmonds’ Drums Along the Mohawk, which was an exciting story, although in retrospect, I don’t recall its subsequent mention even once in David Stevens’ English 9.  But also on the list: Henry David Thoreau’s Walden.  Now imagine yourself in 1966, as a 13-year-old boy who has recently discovered the works of Ian Fleming and is anxious to get back to them (albeit under the covers with a flashlight), but is faced with endless pages of prose about living in the woods and planting beans.  I tried.  I really did.  But I couldn’t do it.  And in the ensuing 51 years, I’ve tried several more times but, apparently scarred by my adolescent experience, I still find Walden barely readable.  I think of Thoreau as the guy who put the “trance” in “transcendentalism.”

A summer reading requirement at Williston appears to date from the 1920s.  No syllabi have surfaced from that early date.  However, we have a list from 1941, which is worth reproducing in its entirety.   (Please click images to enlarge).

Once one gets past the still-valid point about a “foundation for effective expression,” as well as whiff of testosterone, one notes that the requirement – a minimum of three books – isn’t especially onerous, despite a suggestion (“hearty cooperation”) that one attempt “as many as possible.”  Where something doesn’t appeal, students are encouraged to move on.  And nowhere is there even a hint of a test or paper in the fall.It is interesting to note what is, and isn’t, here.  So many of these authors have fallen utterly out of fashion, never mind out of the canon, that some names are unrecognizable even to a pre-elderly librarian.   And with few exceptions, almost everything is by American or English authors, the overwhelming majority of them male, and only one identifiable as an author of color. Continue reading